QUIETLY, ON OUR TERMS

A painterly watercolour-and-ink illustration of The Royal Wells Hotel in Royal Tunbridge Wells on a winter evening, featuring red brick architecture, glowing windows, and figures arriving at the entrance.

Part 3 of The Lives They Didn’t List

The Chronicles. This series explores the experiences of LGBT people in Tunbridge Wells, highlighting local stories and perspectives.

One Man, One Facebook Group

The story begins three years earlier and considerably more quietly.

Following the walktw.co.uk editorial image theme: a warm, gentle watercolour-and-ink illustration of a small informal gathering on Tunbridge Wells Common on a summer afternoon, circa 2021. Four or five people sit on picnic blankets on the grass beneath oak trees, food and drinks between them, mid-conversation. The Common stretches behind them — open green space, the familiar sandstone outcrops of Wellington Rocks visible in the far distance. The people are dressed in unremarkable summer clothes: t-shirts, trainers, sunglasses. Nobody is performing or posturing. The scene is the simplest possible version of people who have found each other — a first picnic, a first attempt, the thing before the thing. Warm, dappled summer light. Soft green and ochre palette. Painterly editorial illustration style consistent with walktw.co.uk's image aesthetic. No text, no signs, no flags.

In 2021, a man named Dan Rogers returned to Tunbridge Wells from Birmingham. He had grown up between Ticehurst and the town, moved away, built a life elsewhere, and come back. What he found when he arrived was a gap. There were no LGBT+ venues in Tunbridge Wells. There were no regular social events, no community infrastructure, no obvious place for anyone who was looking for one.

He knew London was up the road. However, London is London — a journey, a commitment, an evening that requires planning. What he wanted was somewhere local. Somewhere that didn’t require a train.

So, with the help of a friend, he started a Facebook group.

The early events were modest by design. Picnics in the park. Group dinners. The kind of social infrastructure that sounds unremarkable but is, in practice, precisely what a community needs before it can become anything larger — a reason for people who don’t know each other to be in the same place at the same time. People came. More people came. The group grew.


The Night at The Royal Wells

By early 2024, the group was ready for something bigger. On 17 February, Dan Rogers held the first club night at The Royal Wells Hotel on Mount Ephraim. Around thirty people attended, drawn from across Kent. The hotel offered the room free of charge.

Dan later described it as the best night on the LGBT+ scene he had experienced in a very long time. The feedback from those who came was, by all accounts, something close to relief — the particular relief of finding that something you thought didn’t exist in your town actually does, now, because someone decided to build it.

The event became monthly. The Royal Wells Hotel continued providing the space. Arrangements were made for people who found the idea of a club night daunting: meet beforehand, introductions, reassurance. The group understood something that most established institutions take years to learn — that the barrier to belonging is rarely the event itself but the moment before it, when you don’t know whether you’ll be welcome.


Something Else Was Happening

Dan Rogers’s group was not the only thing being built.

Following the walktw.co.uk editorial image theme: a warm, contemporary watercolour-and-ink illustration of a small bar interior in the evening, May 2024. The space is a compact, modern bar unit inside a covered shopping arcade — bare brick walls, pendant lights, a short bar along one side. A crowd of perhaps twenty people fill the room, talking in groups of two and three. The atmosphere is animated but not chaotic — the energy of a first night that has gone better than expected. Sponsored by local businesses: a small banner from a cosmetics company, a crate of chocolates on the bar. The room is full without being crowded. The mood is celebratory in the most grounded sense — people who weren't sure this would work, finding out that it did. Warm amber interior light. Brick, warm wood, and soft gold palette. Editorial watercolour-and-ink style consistent with walktw.co.uk's image theme. No text.

In May 2024, three friends — Luca Zanetti-Springett, Christopher Peters, and Craig Stevens — launched the Tunbridge Wells, Tonbridge and Maidstone LGBTQIA+ Community. Their motivation was different from Dan’s, though related. All three had experienced homophobic abuse in the town — incidents specific, documented, and unambiguous enough to leave no room for interpretation. They built their community partly in response to that, partly in the conviction that visible community is itself a form of protection.

Their launch event was held at Kandi Bar in Ely Court — described at the time as the first dedicated LGBT+ venue to open in Tunbridge Wells in over a decade. Lush, Waitrose, and Hotel Chocolat sponsored the night. The turnout, Luca noted afterwards, blew them away.

Furthermore, a town that had no dedicated LGBT+ venue whatsoever when Dan Rogers arrived in 2021 had, within three years, produced two active community groups and a bar.


What the Town Looks Like Now

It would be easy to overstate this. Therefore, it is worth being precise.

Tunbridge Wells still has no Pride parade. The community infrastructure that exists — the monthly events, the Facebook groups, the occasional sponsored launch night — is new, fragile, and built on volunteer energy and the goodwill of individual venues. The town is not Brighton. It is not even Maidstone. It is a prosperous Kent commuter town that, until very recently, had no visible LGBT+ presence at all.

However, it has one now. That is the change.

The community that Dan Rogers began building from a Facebook group and a series of picnics in 2021 exists today in a form that would have been unrecognisable to the West Kent CHE Group that Ross Burgess established in 1972. Burgess’s group operated for years in a town that officially pretended it wasn’t there. Rogers’s group got its launch event written up in the local newspaper, with the hotel’s name and a quote from the organiser.

Fifty years. That is what fifty years looks like, in this particular town.


The Question the Trilogy Has Been Building Toward

Following the walktw.co.uk editorial image theme: a quietly beautiful watercolour-and-ink illustration of The Pantiles colonnade at dusk in the present day. The Georgian architecture is unchanged — the Tuscan columns, the Upper Walk, the familiar roofline. The scene is the end of an ordinary evening: a few café tables being cleared, a couple walking slowly under the colonnade, a dog on a lead, warm light from a restaurant window. The Chalybeate Spring is visible in the middle distance. The mood is neither celebratory nor melancholy — it is simply the town continuing to exist, as it has always done, with more happening inside it than its surface suggests. This is the same stage as the Georgian promenade from Part 2's hero image — same columns, same proportions, same walk — but the light is cooler, the clothes are contemporary, and something has quietly changed. Dusk palette: deep ochre, fading blue sky, warm amber from the café lights. Vintage editorial watercolour-and-ink style consistent with walktw.co.uk's image theme. No text.

This series began with a simple observation: Royal Tunbridge Wells has a queer history that its official version of itself has never acknowledged. That history runs from a cross-dressing dandy on The Pantiles in 1703, through a Council that banned a piano in 1974, to a man who moved back to his hometown in 2021 and found nothing waiting.

In each case, the response was the same: quiet, stubborn, persistent building. Mr Maiden kept returning to the Wells, season after season, until a playwright noticed. Ross Burgess started a group with no infrastructure and kept organising for years. Dan Rogers started with picnics.

None of these is a story of triumph in any dramatic sense. There is no moment when the town opened its arms, reversed its position, and welcomed what it had previously excluded. What there is instead is something more durably interesting: a community that kept existing in spite of the absence of conditions that usually make communities possible.

The town’s official version of itself — elegant, conservative, historically curated — remains largely intact. The Pantiles is still the Pantiles. The villas on Mount Ephraim still look out across the Common. The clock tower at Tunbridge Wells Central still rises above the forecourt as it has since 1846.

Underneath that version, quietly and on its own terms, something else has always been happening.

It still is.


This is the final part of The Lives They Didn’t List — a WalkTW series on the hidden history of Royal Tunbridge Wells. Read Part 0 — The Town That Didn’t Know Itself, Part 1 — The Town That Banned a Piano, and Part 2 — The Waters Were Always Queer.

To find Dan Rogers’s group: facebook.com/groups/1015002949337672

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